Sunday, September 18, 2016

Hi all, 

Here's a poem I read this weekend that I thought was kind of funny, kind of sad. I read it in the dreaded New Yorker (Katrina told us during our last class that they fact check their poems, which I think is very odd - what do you think?) Anyways, it's written by Billy Collins, and I mostly like the Rolling Stones reference. 


Cosmology by Billy Collins

I never put much stock in that image of the earth
resting on the backs of four elephants
who are standing on the back of a sea turtle,
who is in turn supported by an infinite regression
of turtles disappearing into a bottomless forever.
I mean how could you get them all to stay still?

Now that we are on the subject,
my substitute picture would have the earth
with its entire population of people and things
resting on the head of Keith Richards,
who is holding a Marlboro in one hand
and a bottle of Jack Daniel’s in the other.

As long as Keith keeps talking about 
the influence of the blues on the Rolling Stones,
the earth will continue to spin merrily
and revolve in a timely manner around the sun.
But if he changes the subject or even pauses
too long, it’s pretty much curtains for us all.

Unless, of course, one person somehow survives
being hurtled into the frigidity of outer space;
then we would have a movie on our hands—
but wait, there wouldn’t be any hands
to write the script or make the movie,
and no theatres, either, no buttered popcorn, no giant Pepsi.

Putting that aside, let’s imagine Keith
standing on the other Rolling Stones,
who are standing on the shoulders of Muddy Waters,
and, were it not for that endless stack of turtles,
one on top of the other all the way down,
Muddy Waters would be standing on nothing at all.



1 comment:

  1. I thought this poem was kind of funny too. :) I'd probably like it more if I knew much of anything about the Rolling Stones and Keith Richard. But I really like it when writers write about something specific and personal that they just happen to love, even if I'm unfamiliar with the thing. They're really in touch with the culture of the thing and enjoy talking about it, which gives the writing its breath. That's sort of the vibe I was getting from this poem. I like how it's kind of a loving mockery of Keith Richards (while also having other layers and topics of course). But I guess there are much different tones to read this piece in. I wonder how it sounds to others?

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